("collapsing new buildings") helped pioneer industrial music with an avant-garde mix of white-noise guitar drones, vocals verging on the unlistenable at times, and a clanging, rhythmic din produced by a percussion section consisting of construction materials, power tools, and various metal objects.
in Berlin as a performance art collective; their early activities included a seemingly inexplicable half-naked appearance on the Berlin Autobahn, where the duo spent some time beating on the sides of a hole in an overpass. The group's early lineup also included percussionists
Einstürzende Neubauten's earliest recordings are mostly unstructured, free-form noise issued on various cassettes and singles, including their first single "Fuer den Untergang," the 1981 EP
Schwarz, and the 1982 album
Kollaps. Some of these recordings are compiled on the
Strategies Against Architecture '80-'83 collection, with live shows on the cassette-only
2x4.
Bartel and
Gut were replaced by ex-
Abwräts member
F.M. Einheit (who served as
Neubauten's chief machinery operator) in 1983, when guitarist and electronics expert
Alexander Hacke and
Abwräts bassist
Mark Chung also joined. A tour of England opening for
the Birthday Party resulted in a contract with Some Bizarre Records, which released the slightly more structured
Zeichnungen des Patienten O.T., as well as consternation from club owners and journalists over
Neubauten's stage demolitions and frequent ensuing violence.
When
Nick Cave left
the Birthday Party and formed his backing band
the Bad Seeds,
Bargeld became the guitarist and toured and recorded with
Cave over most of the decade. He remained with
Neubauten, however, which released
Halber Mensch in 1986, showcasing its wider range of expression. The group disbanded briefly but soon re-formed, and has released albums off and on since then for Elektra, signing to
Trent Reznor's Nothing label for 1998's
Ende Neu. While
Bargeld remained a
Bad Seed, Van Borsig and
Hacke contributed to the remainder of
the Birthday Party's recordings as
Crime & the City Solution. In May 2000,
Einstürzende Neubauten released the full-length
Silence Is Sexy on Mute Records. Two years later, they announced they were no longer interested in working with a traditional label and that their next recording would be made with the help of supporters. These supporters would pay a fee, receive exclusive material, and help fund the next official album.
Despite their best intentions,
Einstürzende Neubauten released their 2004 album,
Perpetuum Mobile, on Mute. The releases for supporters that appeared over the next few years helped fund the official album
Alles Wieder Offen, which was released on the band's own label in 2007. Elektra reissued both
Strategies Against Architecture compilations on CD, and another supporter album,
Einstürzende Neubauten, arrived in mid-2007. The Jewels arrived in 2008. It was compiled from a series of single-track digital downloads the band offered via its website one at a time using a game called
DAVE, where deliberate and enigmatic instructions were inscribed on cards each member drew and generated ideas from -- without telling one another what their cards were inscribed with. They were then used to construct and complete tracks within a day or two. In 2010, Mute released the compilation Strategies Against Architecture, Vol. 4, and the album
Kollaps was remastered and reissued by Potomak.
–
Steve Huey, Rovi